Bluesy cornetist Chris Kelly, most popular with the downtrodden and ratty, “always ended his performances with the hymn ‘When the Saints Go Marching In,’ played, contrary to modern practice, as a ‘sacred song’—slowly” (p. 169).
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Bluesy cornetist Chris Kelly, most popular with the downtrodden and ratty, “always ended his performances with the hymn ‘When the Saints Go Marching In,’ played, contrary to modern practice, as a ‘sacred song’—slowly” (p. 169).