Music

35 Articles

Teeth: The Strain

Tom Long

I’ve wanted to write about the record The Strain by Teeth for some time now, but given the subject matter, I’ve never quite been sure how to approach it. For those who are familiar with the compelling story of John Grabski, creative force behind the short-lived duo, I certainly can do no better than what has already been written.

Through the benevolent powers of the internet, John found a community to share his story of his battle with cancer. Shortly before his death, he recorded a seven-song LP with his brother Ben and Steve Albini at Electrical Audio in Chicago. It’s an unvarnished document of his fight with cancer: the medicine and surgery, the hope and vulnerability, the struggle to make sense and learning how to deal with the limited time one has. The project adopted the motto Rock vs. Cancer; Rock Wins, which captures the spirit of the record.

Chicago, Music, Tom Long

REPLAY. Kogumaza and Clown Jazz

Tom Long

Editor’s Note: This review first appeared May 13, 2011.

My knowledge of Nottingham, UK, extends to the Robin Hood movies I grew up watching as a kid courtesy of WGN Family Classics (featuring Douglas Fairbanks) and Disney (with a cartoon fox). I don’t know much of its music scene, yet I’ve been obsessing lately over instrumental recordings from a pair of bands that hail from there — Kogumaza and Souvaris.

With all the yap-yap and chatter by the talking pixels of the 24/7 cable news/internet, my brain needs a break. I don’t always have the attention span for listening to songs. What I particularly enjoy about a well done instrumental is the freedom it allows me to imagine. No whiny, sappy, heartbroken, political or obtuse lyrics to badly date an era. Just get right to the good stuff.

Kogumaza is a trio that create a dense, cinematic experience on their self-titled release that just came out this week. The two-track download plays like an LP (if you don’t actually buy the vinyl). Each side features a four-piece suite of ambient, hypnotically droning, reverberating guitars; fuzzed out bass and drums cleverly stitched together. The approach is simple and well-crafted, never proggy or flashy.

 

Music, Reviews, Tom Long

I’m wet and I’m cold, but thank God I ain’t old

Tom Long

Is it me for a moment?

I’ve become a huge fan of The Best Show on WFMU hosted by the irascible Tom Scharpling. The call-in show has been on the air for about a dozen years, although I’ve only been listening to the podcast for the past few. It’s a formula I instantly fell in love with. Tom starts the show with a mix of indie rock and Led Zeppelin sandwiched between two theme songs, puts down his producer AP Mike, threatens to quit and then takes calls from a cast of regulars and people who don’t always have much to say. Frequent guests have been people like comedians Julie Klausner and John Hodgeman and musicians like Ted Leo. If you haven’t heard this show, check it out.

Lately Tom has been playing cuts from the Deluxe Edition version of The Who’s 1973 classic album Quadrophenia, which came out in November. The Director’s Cut edition is available on Amazon.com for only $133.78.

Music, Tom Long

Orbiting Coco Robicheaux

Sam Jasper

Coco Robicheaux passed away Friday evening. Much has been written about the man, his music, his artistry, his character and his seemingly mythical background. Much more will be written. Many of us spent yesterday between tears and laughter, blaring his music through our homes to let him know we’re here thinking about him. I double checked my files to be sure that I hadn’t lost the 40 minute live set I recorded on my phone at Mimi’s a couple months ago. I regretted never having given him the eagle feather I had told him I’d bring when I saw him next. I remembered that the ancients believed there is a four day window between the time the soul leaves the body and its transition to the higher realms. I’ll have to light a candle for him today so he sees it along the way.

Music, New Orleans, Sam Jasper

High Society Rag

Derek Bridges

From Subversive Sounds: Race and the Birth of Jazz in New Orleans by Charles B. Hersch (University of Chicago Press, 2008, pages 180-182):

The small group transformation of ragtime through the blues tradition, hauling it onto the streets where it marched, can be seen in a performance of High Society Rag by King Oliver’s Creole Jazz Band, featuring a young Louis Armstrong. This tune defined New Orleans jazz, for as Lee Collins put it, ‘at that time when you heard a clarinet play High Society you didn’t ask him where he was from. You knew he was from New Orleans …’

 

Derek Bridges, Music, New Orleans
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